starjammiez

[somerandomdudelmao]

I made some colored refs for my comic ~ And also some sketches because can you guess who is my favorite haha

[noodles-and-tea]

MY BBG POOKIE PIE!!!

[cy-cyborg]

Just a reminder that unless your amputee character lost their limb less than a month ago, their stumps don't need to be bandaged.

[demigods-posts]

growing up is realizing that rachel was exactly who percy needed in that period of his life. because she knew enough about the demigod world that percy could confide in her about the responsibilities as the prophecy kid. but was also separate enough from the demigod world that she never placed him on a pedestal or pitied him for it. she never looked at him like he was a dead man walking. or expected him to become something more than himself to get the job done. say what you want about their relationship. but no one. not sally. not paul. not poseidon. not chiron. not grover. and definitely not annabeth. could have been for percy what rachel was for him.

[united-under-skyfall]

leverage is so fucking funny. man manages to find the most mentally ill and neurodivergent group of thieves on the market + an even more mentally ill guy whose literal job description was trying to chase all of them, and forces them into a found family speed-run by trying to blow them all up. they lowkey stage a full fucking country wide coup and are like eh 🤷 just another wednesday. this might be a fun place to vacation tho i guess. sophie shows up to her own funeral twice. they're so good at convincing people of their shit that they make a guy's body start reacting to an illness he doesn't have because it isn't real. go completely out on a limb and basically hand this one guy a new password for his computer so they can get into it and he goes with it. parker and hardison have straight up just "fake it 'till you make it"d into the fbi without even attempting to cover their tracks beyond just These Two Guys. half their clients never asked to be their clients and don't know they're their clients, and the other half are random people who find them who fuckin knows how, meanwhile no government agency can track them down without selling their soul to sterling. they make a point to have a dramatic scene w a Big Bad Shadowy Government Guy who doesn't actually get caught or brought to justice or anything telling them he's going to hunt them all down, and in any other show this would probably earn at least a minor arc later on but he literally never shows up again. an entire season finale hinged on a cake and a bunch of clams. they accidentally made eliot a celebrity not once, not twice, but three times. parker blew up her foster parents' house when she was like. nine. and it's hardly a footnote. hardison is just casually an artistic prodigy but it's only ever brought up for the most background of background gags. eliot's biggest beef with parker and hardison for like two and a half seasons is that they won't stop making weird food with lasers and refuse to realize they can't make a decent beer to save their lives. sophie's immediate response to being shot is to call her shooter a wanker. there's a character who has literally killed a man with a mop and they had the audacity to only put her in one episode.

[skateboardtotheheart]

there is just something about the difference between edwin's love interests and having the cat king's reaction to edwin in hell being "i'll be waiting when he gets back" vs charles "no version of this where i don't come get you" rowland convincing a powerful trans-dimensional being to open a door to hell just so he could get him back

i am insane

[the-woman-upstairs]

Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.

Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!

AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).

Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.

All of this, of course, is why the ending hits so damn hard.

[alevens]

Usopp u gotta stop. you always try your hardest. you lie too good. your brain is too big. your standing on business is too real. your attractiveness is too much. they'll kill you.

[thessaralka]

the most romantic thing about the solas romance is how much love there is for lavellan in the act of breaking up with her.

solas breaks up with lavellan because it is objectively what is best for her. not because it's what he wants. not because his mission is just more important than she is. because he loves her.

it is in lavellan's best interests that she know who she falls in love with and has agency in that decision. solas breaks up with her because he is not entirely truthful about who he is. she can't make an informed choice about being with him without the truth. and because solas isn't ready to tell her the truth, he backs off.

whether we like it or not, fen'harel is part of who solas is, even if solas is part of his genuine character, the face he shows us in DAI is not all of him.

what is so sexy about solas showing his love for her in this way is he sees the clear power imbalance between them (him with all his secrets), and he chooses her well being over his desires, he puts the power back in her hands - by breaking up with her. he says, "it isn't right of me to continue with this when you don't actually know me". only his reveal in trespasser opens the door for her to accept him, or deny him.

ultimately, it is up to lavellan to decide what is in her best interests. does she accept solas, now knowing the truth, or does she say "wow yeah i actually can't live with that" and walk away?

[butchjesus]

ok but for real now. since tiktok has so throughly disappointed on this trend. who is your strangest hear me out / most bizarre crush? freaks and headscratchers only edition

[bixels]

vague-posting about this here cuz i don't feel comfortable yapping about my su takes on twitter, but after everything that's happened the most interesting thing about the su fandom to me is that so many are 100% there for applying the "everyone can change and deserves a second chance" message to everyone, even the diamonds. except for one ☝️ she doesn't count. cuz she's dead.

[ursamajori]

god i love being SOOO obnoxious about my ocs everyone should be 50% more obnoxious about their ocs right neow

[poorly-drawn-mdzs]

Reasons to play In Stars and Time: Canon Pronoun Warfare.

[baeglbites]

Here’s part of the jjk mer!au I was scrambling to put together for mermay aahhh

You can read my idea and rambles of this below lol

Originally my idea is that merfolks are people who are considered “sea children/witches” who die in the sea, and sea witches/children’s are descendants of a water spirit. The lineage is considered cursed cause when they die they supposedly turn into monsters (merfolks). But there are conditions for them to “turn”, one they perish in the water (drown) and they’re magical affinity needs to be strong enough. How they do know if a sea child is strong enough? They don’t. Sea children are scarce. Most don’t know they’re one. The Gojo clan/kamo clan/zenin clan exist as clans of sea children. But they’re recluse/scattered in the wind. So there’s a facility that’s dedicated to rehabilitating and studying Mers cause there’s just a lot of unknowns

To be fair the idea kind of got too dark for my liking sooo, and there’s just a lot of holes, I just drew fluffier cuter parts of the au lol. (Dw I doodles angsty bits too) idk I might just scrap the idea above haha

[carnivalcarriondiscarded]

thinkin' about Bardaby and his illusion smoke...

[messiahzzz]

friendly reminder that creators within fandom (whether it be gifs, edits, meta, fanfiction or fanart) choose to take time out of their day to provide you with new content for free.

it’s easy to take it for granted since it only requires a few seconds/minutes to scroll through your dash, but it’s important to remember that behind that there are often hours, if not even days, of work and dedication.